It's impossible. You sound crazy. But here's why Kanye West does follow the classical arc of the hero as defined by Greek mythology:
Kanye West, born as Kanye Omari West in 1977, is a Chicagoan
born and raised. First known for breaking on the scene as a producer under
Roc-A-Fella Records, he achieved early recognition for his work on Jay-Z’s “The
Blueprint” (released in 2001) because of his unique production style of using
high pitched vocal samples from soul, be-bop, motown and early rock songs
incorporated with his own drums and instruments. Some attribute this style to
his family roots in Motown. Regardless, Kanye later expanded his musical
influences to include R&B, electronica, folk, alternative, industrial and
synth pop into his repertoire to broaden his appeal and further experiment and
challenge the confines of musical genre. Raised as a young man in a
middle-class household in Chicago, IL, many of Kanye’s musical content has been
influenced by the trials and tribulations of what could be seen as an “everyday
hero” that has been adapted to the modern day.
Particularly, one can see that West has transcribed classical,
Greek-inspired storylines into his works and has reinterpreted them to be
fitting for the world that he relates to. Born from classical mythology and
made popular by Joseph Campbell’s “monomyth” pattern, a “Hero’s Journey”
is typically characterized by a hero that ventures forth from the world of the
common day where fabulous forces are encountered and a decisive victory is won.
The hero then comes back from this adventure changed. Although West
started with a focus on societal and cultural issues in “Workout Plan” and media
expectations as seen in “Jesus
Walks” in his first CD “College Drop Out” (2004). In his second CD (“Late
Registration” in 2005) , Kanye the protagonist hides little as he continues to
take on larger challenges, true to his self-adopted hero image by taking on
such topics as the blood diamond industry in “Diamonds from Sierra Leone”.
Additionally, a turning point is reached as he begins to depart from the social
commentary and moved toward the self-inflationary attitude that we know now
through “Gold Digger”.
Kanye’s challenges mounted in 2007 with the death of his mother,
Donda West. Critics believe that this marked a turning point in his career when
he became increasingly self-reflective and released his third album. Largely
upbeat, his third album contained a more personal perspective through his
Chicago-homage in “Homecoming”
and his partnership with Daft Punk to produce “Stronger”
but also more surrealistic, satirical visions such as in “Good Morning”, where he
partnered with renowned Japanese anime illustrators to play an animated
protagonist bear. His fourth album, “808s and Heartbreak” featured such songs
as “Love Lockdown” and
“Heartless”, which
began to focus more on his persecution as an artist, but also further pushed
the boundaries of his traditional producer stylings as he struggled to battle
the mounting criticism against his music.
His pinnacle of surrealistic adaptations occurred in “My
Beautiful Dark Twisted Fantasy”, his fifth album. In MBDTF, Kanye sought to
have all of his songs intertwined with one continuous storyline with such
standout hits such as “Dark
Fantasy”, “Runaway”,
“Power” and “All of the Lights”
(which was banned in some countries due to their risk of causing epileptic
seizures). “Dark Fantasy” starts the narrative with Kanye saving an angel,
whereas “Runaway” features Kanye orchestrating an elaborate dinner to entertain
an angel with professional ballerinas. “Power” frames Kanye as (literally) a
mythological hero whereas “All of the Lights” offers a throwback to his earlier
Chicago-based days which juxtaposes a 80s-inspired light show with the black
and white biopic of a little girl facing her own challenges growing up in the
Southside projects of Chicago. Within this album, Kanye West switches from battling societal issues to literally battling people to save his angel. (To view the full video that was produced for
“Runaway”, featuring supermodel Selita Ebanks, click here. It involves
Kanye saving an angel, throwing a dinner party in an airplane hangar,
ballerinas interpretatively dancing to rap, the angel falling into depression
and Kanye West having sex with her and then the angel going back to heaven.)
Kanye west has just recently released his “Watch the Throne”, a
collaboration with Jay-Z. In his most recent album, Kanye positions himself as
a hero returned through such hits as “No
Church in the Wild” and “Otis”.
In “No Church in the Wild”, Kanye West focuses on a scene of urban protest
complete with racist overtones where a masked horseman (literally) stands up
for the common man. Otis returns to Kanye’s Motown roots with Jay Z and Kanye
West together destroying a Maybach and recreating it as a militaristic car with
the backdrop of “Try a Little Tenderness” by Otis Redding remixed in the
background. Regardless of whether Kanye West really is the mythological Greek
hero that he wants so desperately to be, if the story is to be believed, “Watch
the Throne” completes the arc of his development as a musician.
No comments:
Post a Comment